Graham Norton

NATIONAL BESTSELLER LONGLISTED FOR THE 2021 BOOKER PRIZE NAMED A BEST BOOK OF THE YEAR BY THE GLOBE AND MAIL, CBC BOOKS AND THE DAILY TELEGRAPH "I've been telling everyone I know about Mary Lawson . . . Each of her novels is just a marvel" —Anne Tyler New York Times bestselling author Mary Lawson, acclaimed for digging into the "wilderness of the human heart", is back after almost a decade with a fresh and timely novel that is different in subject but just as emotional and atmospheric as her beloved earlier work. A Town Called Solace, the brilliant and emotionally radiant new novel from Mary Lawson, her first in nearly a decade, opens on a family in crisis. Sixteen-year-old Rose is missing. Angry and rebellious, she had a row with her mother, stormed out of the house and simply disappeared. Left behind is seven-year-old Clara, Rose’s adoring little sister. Isolated by her parents’ efforts to protect her from the truth, Clara is bewildered and distraught. Her sole comfort is Moses, the cat next door, whom she is looking after for his elderly owner, Mrs. Orchard, who went into hospital weeks ago and has still not returned. Enter Liam Kane, mid-thirties, newly divorced, newly unemployed, newly arrived in this small northern town, who moves into Mrs. Orchard’s house—where, in Clara’s view, he emphatically does not belong. Within a matter of hours he receives a visit from the police. It seems he is suspected of a crime. At the end of her life, Elizabeth Orchard is also thinking about a crime, one committed thirty years previously that had tragic consequences for two families, and in particular for one small child. She desperately wants to make amends before she dies. Told through three distinct, compelling points of view, the novel cuts back and forth among these unforgettable characters to uncover the layers of grief, remorse, and love that connect them. A Town Called Solace is a masterful, suspenseful, darkly funny and deeply humane novel by one of our great storytellers.

You don't go to Garnethill for the amenities. You only go to this grimmest of Glasgow's hilltop neighborhoods if it happens to be your address. At that, it helps if you're blitzed. Especially if you've spent a long day at a dead-end job and just learned that your live-in boyfriend, a therapist short on scruples, has been married for twelve years. Fuzzy-headed - the wine was red and cheap - you tumble into bed. Count yourself lucky, if you don't wake up to discover your arse of a lover in the middle of the living room, tied to one of your blue kitchen chairs with his throat slit clean through to the vertebrae. Maureen O'Donnell isn't lucky. Emotionally battered but no victim, the survivor of a nightmarish childhood and, just months ago, a mental breakdown, Maureen now finds herself the prime suspect in a grisly murder case.

When Lord Geoffroy Loveall finds an abandoned baby, he treats the child as his daughter, despite the male gender of the child, who grows up desperately conflicted in the richest home in nineteenth-century England.

NEW YORK TIMES BEST SELLER • AN NPR BEST BOOK OF THE YEAR • From the legendary actor and best-selling author: a novel about the making of a star-studded, multimillion-dollar superhero action film...and the humble comic books that inspired it. Funny, touching, and wonderfully thought-provoking, while also capturing the changes in America and American culture since World War II. "Wild, ambitious and exceptionally enjoyable." —Matt Haig, best-selling author The Midnight Library, The Humans and Reasons to Stay Alive Part One of this story takes place in 1947. A troubled soldier, returning from the war, meets his talented five-year-old nephew, leaves an indelible impression, and then disappears for twenty-three years. Cut to 1970: The nephew, now drawing underground comic books in Oakland, California, reconnects with his uncle and, remembering the comic book he saw when he was five, draws a new version with his uncle as a World War II fighting hero. Cut to the present day: A commercially successful director discovers the 1970 comic book and decides to turn it into a contemporary superhero movie. Cue the cast: We meet the film’s extremely difficult male star, his wonderful leading lady, the eccentric writer/director, the producer, the gofer production assistant, and everyone else on both sides of the camera. Bonus material: Interspersed throughout are three comic books that are featured in the story—all created by Tom Hanks himself—including the comic book that becomes the official tie-in to this novel’s "major motion picture masterpiece."