Matt Gabriele

Prof & Dept Chair. Religion/Violence. Nostalgia/Apocalypse. Medieval/Modern. Neutral Good Remembrancer. #TheBrightAges Rep'd: @Inkwellmgmt

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Book Recommendations:

MG

Recommended by Matt Gabriele

fwiw @letfancyroam’s book MERCENARY MEDITERRANEAN is fucking amazing (particularly his Epilogue) #medievaltwitter #twitterstorians (from X)

Sometime in April 1285, five Muslim horsemen crossed from the Islamic kingdom of Granada into the realms of the Christian Crown of Aragon to meet with the king of Aragon, who showered them with gifts, including sumptuous cloth and decorative saddles, for agreeing to enter the Crown’s service. They were not the first or only Muslim soldiers to do so. Over the course of the thirteenth and fourteenth centuries, the Christian kings of Aragon recruited thousands of foreign Muslim soldiers to serve in their armies and as members of their royal courts. Based on extensive research in Arabic, Latin, and Romance sources, The Mercenary Mediterranean explores this little-known and misunderstood history. Far from marking the triumph of toleration, Hussein Fancy argues, the alliance of Christian kings and Muslim soldiers depended on and reproduced ideas of religious difference. Their shared history represents a unique opportunity to reconsider the relation of medieval religion to politics, and to demonstrate how modern assumptions about this relationship have impeded our understanding of both past and present.

MG

Recommended by Matt Gabriele

@byjennytan @EduardoRamosii @JustinPShaw Matthew X Vernon is one of the smartest, warmest, best people you'll ever meet. his book should be required in every seminar. 6/ #raceb4race https://t.co/02NCzanxBT (from X)

The Black Middle Ages examines the influence of medieval studies on African-American thought. Matthew X. Vernon focuses on nineteenth century uses of medieval texts to structure racial identity, but also considers the flexibility of medieval narratives more broadly in the medieval period, twentieth and twenty-first centuries. This book engages disparate discourses to reassess African-American positionalities in time and space. Utilizing a transhistorical framework, Vernon reflects on medieval studies as a discipline built upon a contended set of ideologies and acts of imaginative appropriation visible within source texts and their later mobilizations.