Michelle Rodriguez

Student Of Life... Goes out to

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Book Recommendations:

MR

Recommended by Michelle Rodriguez

Fantasyland: How America Went Haywire: A book by Kurt Andersen ... I just re-read this book, Fascinating to follow a 500 yr thread of religious freedom, turned into fanaticism, stretched into con artistry, & dogma, as reason & science survived at its side https://t.co/69BvbITa3P (from X)

NEW YORK TIMES BESTSELLER • “The single most important explanation, and the fullest explanation, of how Donald Trump became president of the United States . . . nothing less than the most important book that I have read this year.”—Lawrence O’Donnell How did we get here? In this sweeping, eloquent history of America, Kurt Andersen shows that what’s happening in our country today—this post-factual, “fake news” moment we’re all living through—is not something new, but rather the ultimate expression of our national character. America was founded by wishful dreamers, magical thinkers, and true believers, by hucksters and their suckers. Fantasy is deeply embedded in our DNA. Over the course of five centuries—from the Salem witch trials to Scientology to the Satanic Panic of the 1980s, from P. T. Barnum to Hollywood and the anything-goes, wild-and-crazy sixties, from conspiracy theories to our fetish for guns and obsession with extraterrestrials—our love of the fantastic has made America exceptional in a way that we've never fully acknowledged. From the start, our ultra-individualism was attached to epic dreams and epic fantasies—every citizen was free to believe absolutely anything, or to pretend to be absolutely anybody. With the gleeful erudition and tell-it-like-it-is ferocity of a Christopher Hitchens, Andersen explores whether the great American experiment in liberty has gone off the rails. Fantasyland could not appear at a more perfect moment. If you want to understand Donald Trump and the culture of twenty-first-century America, if you want to know how the lines between reality and illusion have become dangerously blurred, you must read this book. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SAN FRANCISCO CHRONICLE “This is a blockbuster of a book. Take a deep breath and dive in.”—Tom Brokaw “[An] absorbing, must-read polemic . . . a provocative new study of America’s cultural history.”—Newsday “Compelling and totally unnerving.”—The Village Voice “A frighteningly convincing and sometimes uproarious picture of a country in steep, perhaps terminal decline that would have the founding fathers weeping into their beards.”—The Guardian “This is an important book—the indispensable book—for understanding America in the age of Trump.”—Walter Isaacson, #1 New York Times bestselling author of Leonardo da Vinci

MR

Recommended by Michelle Rodriguez

Aldous Huxley on Technodictators https://t.co/RDyX70lnZz via @YouTube ‘Doors of Perception’ is a great book entry level to hallucinogenics (from X)

In 1952 Aldous Huxley became involved in the now legendary experiment to clinically detail the physiological and psycho-logical effects of the little known drug used by Mexican and Native American elders in religious practices. The drug was Peyote-now commonly know as mescalin. By the standards of the time, Huxley was a hard working, respected, and reserved intellectual from a highly intelligent, well-know, and eccentric British family. By any standards, the results of the experiment were remarkable. The Doors of Perception and Heaven and Hell detail the practic-alities of the experiment and give Huxley's vivid account of his im-mediate experience and the more prolonged effect upon his sub-sequent thinking and awareness. At first, the reader is drawn in by the sheer naivety and tom-foolery of the proposal but is soon caught in a finely woven net by the juxtaposition of Huxley's formidable intellect, his remarkable ability to convey the experience in such acute and truthful detail, and his incredible modesty. In 1922 Gertrude Stein famously wrote - A rose is a rose is a rose. In proving her right, Huxley also shows the deeper meaning be-hind the apparently simple verse and goes on to deliver such spec-tacular accounts of the most everyday objects that the reason for their repeated and continual renderings by all the major artists throughout history suddenly becomes quite clear. For the con-scious and willing reader - a trip to the Guggenheim, the Louvre or the Tate Modern will never be the same again.