Sarah Churchwell

History does not run in straight lines. It is made by men and women and by accident. The path of events and ideas does not stretch smoothly from Thucydides, through Machiavelli and thence to perpetual peace. Instead of inevitable progress, what we get is more often false starts, blind allies, random events, good intentions that go wrong. This is therefore not a continuous diplomatic history. Richelieu and Mazarin inhabited a world we can hardly imagine today; but it is from their time that we can begin to see the outline of today’s Europe. Talleyrand and the Congress of Vienna in 1815 take us closer to the present day. Talleyrand was a man of the ancien regime; but he was the first European statesman to see America. It is at this Congress that, for the first time, a humanitarian question – the slave trade – was discussed. Humanitarian issues have formed part of the diplomatic agenda ever since. Robert Cooper’s incisive and elegantly written book includes a brilliant analysis of the people who built the western side of the Cold War. The high point of the drama was the Cuban Missile Crisis, with its contrast between the open debate that John F. Kennedy used to help him make decisions and the closed system in Moscow. Henry Kissinger is a pivotal figure in the post-war world, as well as one of the great writers on diplomacy. His story is in some ways typical: he failed in his most important aims, and succeeded in ways he never expected. A notable and neglected success story is that of German diplomacy in the last half-century. Robert Cooper’s masterly THE AMBASSADORS pieces together history and considers the fragments it leaves behind. It is these fragments that prove so illuminating.

NOTE: This edition has a linked "Table of Contents" and has been beautifully formatted (searchable and interlinked) to work on your Amazon e-book reader, Amazon Desktop Reader and your ipod e-book reader. This is the complete version with all ten parts. Written by acclaimed author, Henry James in 1902, The Wings of the Dove tells the story of Milly Theale, an American heiress stricken with a serious disease, and her impact on the people around her. Some of these people befriend Milly with honorable motives, while others are more self-interested. The novel was filmed in 1997, starring Helena Bonham Carter as Kate Croy, Alison Elliott as Milly Theale, and Linus Roache as Merton Densher. Bonham Carter received an Academy Award nomination for Best Actress. Henry James is regarded as one of the key figures of 19th-century literary realism. The Wings of the Dove has achieved one of the strongest critical positions of any of James' works. A poignant story of unfulfilled lives and lost love!

PULITZER PRIZE WINNER • A modern American classic, this huge and galvanizing biography of Robert Moses reveals not only the saga of one man’s incredible accumulation of power but the story of his shaping (and mis-shaping) of twentieth-century New York. One of the Modern Library’s hundred greatest books of the twentieth century, Robert Caro's monumental book makes public what few outsiders knew: that Robert Moses was the single most powerful man of his time in the City and in the State of New York. And in telling the Moses story, Caro both opens up to an unprecedented degree the way in which politics really happens—the way things really get done in America's City Halls and Statehouses—and brings to light a bonanza of vital information about such national figures as Alfred E. Smith and Franklin D. Roosevelt (and the genesis of their blood feud), about Fiorello La Guardia, John V. Lindsay and Nelson Rockefeller. But The Power Broker is first and foremost a brilliant multidimensional portrait of a man—an extraordinary man who, denied power within the normal framework of the democratic process, stepped outside that framework to grasp power sufficient to shape a great city and to hold sway over the very texture of millions of lives. We see how Moses began: the handsome, intellectual young heir to the world of Our Crowd, an idealist. How, rebuffed by the entrenched political establishment, he fought for the power to accomplish his ideals. How he first created a miraculous flowering of parks and parkways, playlands and beaches—and then ultimately brought down on the city the smog-choked aridity of our urban landscape, the endless miles of (never sufficient) highway, the hopeless sprawl of Long Island, the massive failures of public housing, and countless other barriers to humane living. How, inevitably, the accumulation of power became an end in itself. Moses built an empire and lived like an emperor. He was held in fear—his dossiers could disgorge the dark secret of anyone who opposed him. He was, he claimed, above politics, above deals; and through decade after decade, the newspapers and the public believed. Meanwhile, he was developing his public authorities into a fourth branch of government known as "Triborough"—a government whose records were closed to the public, whose policies and plans were decided not by voters or elected officials but solely by Moses—an immense economic force directing pressure on labor unions, on banks, on all the city's political and economic institutions, and on the press, and on the Church. He doled out millions of dollars' worth of legal fees, insurance commissions, lucrative contracts on the basis of who could best pay him back in the only coin he coveted: power. He dominated the politics and politicians of his time—without ever having been elected to any office. He was, in essence, above our democratic system. Robert Moses held power in the state for 44 years, through the governorships of Smith, Roosevelt, Lehman, Dewey, Harriman and Rockefeller, and in the city for 34 years, through the mayoralties of La Guardia, O'Dwyer, Impellitteri, Wagner and Lindsay, He personally conceived and carried through public works costing 27 billion dollars—he was undoubtedly America's greatest builder. This is how he built and dominated New York—before, finally, he was stripped of his reputation (by the press) and his power (by Nelson Rockefeller). But his work, and his will, had been done.

For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place. This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live. Though it shares DNA with books as disparate as Calvino’s Invisible Cities and Jane Jacobs’s Death and Life of Great American Cities, there’s no other book quite like Imaginary Cities. After reading it, you’ll walk the streets of your city—real or imagined—with fresh eyes.

THE MULTI AWARD-WINNING #1 SUNDAY TIMES BESTSELLER ''Gripping'' NEW YORK TIMES ''At last, the Ripper''s victims get a voice... An eloquent, stirring challenge to reject the prevailing Ripper myth'' MAIL ON SUNDAY ____________ Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers. What they had in common was the year of their murders: 1888. Their murderer was never identified, but the name created for him by the press has become far more famous than any of these five women. Now, in this devastating narrative of five lives, historian Hallie Rubenhold finally sets the record straight, and gives these women back their stories. ____________ Awards for The Five include: - Winner of the BAILLIE GIFFORD PRIZE for Non-fiction - HAY FESTIVAL Book of the Year 2019 - Winner of the Goodreads Choice Awards for History PRAISE FOR THE FIVE ''Devastatingly good. The Five will leave you in tears, of pity and of rage.'' LUCY WORSLEY ''Fascinating, compelling, moving.'' BRIDGET COLLINS, author of The Binding ''An angry and important work of historical detection, calling time on the misogyny that has fed the Ripper myth. Powerful and shaming.'' GUARDIAN ''Haunting'' SUNDAY TIMES ''What a brilliant and necessary book'' JO BAKER, author of Longbourn ''Beautifully written and with the grip of a thriller, it will open your eyes and break your heart.'' ERIN KELLY ''An outstanding work of history-from-below ... magnificent'' SPECTATOR ''Deeply researched'' THE NEW YORKER

Nominated for the Man Booker International Prize For decades, Enric Marco was revered as a veteran of the Spanish Civil War, a crusader for justice, and a Holocaust survivor. But in May 2005, at the height of his renown, he was exposed as a fraud: Marco was never in a Nazi concentration camp. And perhaps the rest of his past was fabricated, too, a combination of his delusions of grandeur and his compulsive lying. In this hypnotic narrative, which combines fiction and nonfiction, detective story and war story, biography and autobiography, Javier Cercas sets out to unravel Marco’s enigma. With both profound compassion and lacerating honesty, Cercas probes one man’s gigantic lie to explore the deepest, most flawed parts of our humanity.