The Best-Selling Crime Biography Books of All Time

A journalist's twenty-year obsession with the Manson murders brings shocking revelations about one of the most infamous crimes in American history: carelessness from police, misconduct by prosecutors, and even potential surveillance by intelligence agents. What really happened in 1969? In 1999, when Tom O'Neill was assigned a magazine piece about the thirtieth anniversary of the Manson murders, he worried there was nothing new to say. Weren't the facts indisputable? Charles Manson had ordered his young followers to commit seven brutal murders, and in his thrall, they'd gladly complied.

But when O'Neill began reporting the story, he kept finding holes in the prosecutor Vincent Bugliosi's narrative, enshrined in the best-selling Helter Skelter. Before long, O'Neill had questions about everything from the motive to the manhunt. Though he'd never considered himself a conspiracy theorist, the Manson murders swallowed the next two decades of his career. He was obsessed. Searching but never speculative, CHAOS follows O'Neill's twenty-year effort to rebut the "official" story behind Manson. Who were his real friends in Hollywood, and how far would they go to hide their ties? Why didn't law enforcement, including Manson's own parole officer, act on their many chances to stop him? And how did he turn a group of peaceful hippies into remorseless killers? O'Neill's hunt for answers leads him from reclusive celebrities to seasoned spies, from San Francisco's summer of love to the shadowy sites of the CIA's mind-control experiments, on a trail rife with shady cover-ups and suspicious coincidences. Featuring hundreds of new interviews and dozens of never-before-seen documents from the LAPD, the FBI, and the CIA, CHAOS mounts an argument that could be, according to Los Angeles Deputy District Attorney Steven Kay, strong enough to overturn the verdicts on the Manson murders. In those two dark nights in Los Angeles, O'Neill finds the story of California in the sixties: when charlatans mixed with prodigies, free love was as possible as brainwashing, and utopia-or dystopia-was just an acid trip away.

Selected by the Modern Library as one of the 100 best nonfiction books of all time. From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories. Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965.

The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.

NEW YORK TIMES BESTSELLER: This classic true crime account about the mafia hitman who claims he killed Jimmy Hoffa inspired Scorsese’s epic gangster movie, The Irishman. Now updated with substantial post-publication corroboration of Sheeran’s confessions to the killings of Jimmy Hoffa and Joey Gallo. “I heard you paint houses” are the first words Jimmy Hoffa ever spoke to Frank “the Irishman” Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors.

In the course of nearly 5 years of recorded interviews, Frank Sheeran confessed to Charles Brandt that he handled more than 25 hits for the mob, and for his friend Hoffa. He also provided intriguing information about the Mafia’s role in the murder of JFK. Sheeran learned to kill in the US Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually Sheeran would rise to a position of such prominence that in a RICO suit the US government would name him as one of only 2 non-Italians in conspiracy with the Commission of La Cosa Nostra, alongside the likes of Anthony “Tony Pro” Provenzano and Anthony “Fat Tony” Salerno. When Bufalino ordered Sheeran to kill Hoffa, the Irishman did the deed, knowing that if he had refused he would have been killed himself. Charles Brandt’s page-turner has become a true crime classic. “Sheeran’s confession that he killed Hoffa . . . is supported by the forensic evidence . . . and solves the Hoffa mystery.”  — Michael Baden M.D., former Chief Medical Examiner of the City of New York.