Simon Carless

Much has been written about the “long Sixties,” the era of the late 1950s through the early 1970s. It was a period of major social change, most graphically illustrated by the emergence of liberatory and resistance movements focused on inequalities of class, race, gender, sexuality, and beyond, whose challenge represented a major shock to the political and social status quo. With its focus on speculation, alternate worlds and the future, science fiction became an ideal vessel for this upsurge of radical protest. Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985 details, celebrates, and evaluates how science fiction novels and authors depicted, interacted with, and were inspired by these cultural and political movements in America and Great Britain. It starts with progressive authors who rose to prominence in the conservative 1950s, challenging the so-called Golden Age of science fiction and its linear narratives of technological breakthroughs and space-conquering male heroes. The book then moves through the 1960s, when writers, including those in what has been termed the New Wave, shattered existing writing conventions and incorporated contemporary themes such as modern mass media culture, corporate control, growing state surveillance, the Vietnam War, and rising currents of counterculture, ecological awareness, feminism, sexual liberation, and Black Power. The 1970s, when the genre reflected the end of various dreams of the long Sixties and the faltering of the postwar boom, is also explored along with the first half of the 1980s, which gave rise to new subgenres, such as cyberpunk. Dangerous Visions and New Worlds contains over twenty chapters written by contemporary authors and critics, and hundreds of full-color cover images, including thirteen thematically organised cover selections. New perspectives on key novels and authors, such as Octavia Butler, Ursula K. Le Guin, Philip K. Dick, Harlan Ellison, John Wyndham, Samuel Delany, J.G. Ballard, John Brunner, Judith Merril, Barry Malzberg, Joanna Russ, and many others are presented alongside excavations of topics, works, and writers who have been largely forgotten or undeservedly ignored.

ONE OF BARACK OBAMA’S FAVORITE BOOKS OF 2022 One of Bill Gates’s “5 books to read this summer,” this New York Times and Wall Street Journal bestseller shows us that America’s political system isn’t broken. The truth is scarier: it’s working exactly as designed. In this “superbly researched” (The Washington Post) and timely book, journalist Ezra Klein reveals how that system is polarizing us—and how we are polarizing it—with disastrous results. “The American political system—which includes everyone from voters to journalists to the president—is full of rational actors making rational decisions given the incentives they face,” writes political analyst Ezra Klein. “We are a collection of functional parts whose efforts combine into a dysfunctional whole.” “A thoughtful, clear and persuasive analysis” (The New York Times Book Review), Why We’re Polarized reveals the structural and psychological forces behind America’s descent into division and dysfunction. Neither a polemic nor a lament, this book offers a clear framework for understanding everything from Trump’s rise to the Democratic Party’s leftward shift to the politicization of everyday culture. America is polarized, first and foremost, by identity. Everyone engaged in American politics is engaged, at some level, in identity politics. Over the past fifty years in America, our partisan identities have merged with our racial, religious, geographic, ideological, and cultural identities. These merged identities have attained a weight that is breaking much in our politics and tearing at the bonds that hold this country together. Klein shows how and why American politics polarized around identity in the 20th century, and what that polarization did to the way we see the world and one another. And he traces the feedback loops between polarized political identities and polarized political institutions that are driving our system toward crisis. “Well worth reading” (New York magazine), this is an “eye-opening” (O, The Oprah Magazine) book that will change how you look at politics—and perhaps at yourself.

A unique blend of espionage thrills and Lovecraftian horror, Hugo Award-winning author Charles Stross's Laundry Files continues with Quantum of Nightmares. It’s a brave new Britain under the New Management. The avuncular Prime Minister is an ancient eldritch god of unimaginable power. Crime is plummeting as almost every offense is punishable by death. And everywhere you look, there are people with strange powers, some of which they can control, and some, not so much. Hyperorganized and formidable, Eve Starkey defeated her boss, the louche magical adept and billionaire Rupert de Montfort Bigge, in a supernatural duel to the death. Now she’s in charge of the Bigge Corporation―just in time to discover the lethal trap Rupert set for her long ago. Wendy Deere’s transhuman abilities have gotten her through many a scrape. Now she’s gainfully employed investigating unauthorized supernatural shenanigans. She swore to herself she wouldn’t again get entangled with Eve Starkey’s bohemian brother Imp and his crew of transhuman misfits. Yeah, right. Mary Macandless has powers of her own. Right now she’s pretending to be a nanny in order to kidnap the children of a pair of famous, Government-authorized superheroes. These children have powers of their own, and Mary Macandless is in way over her head. Amanda Sullivan is the HR manager of a minor grocery chain, much oppressed by her glossy blonde boss―who is cooking up an appalling, extralegal scheme literally involving human flesh. All of these stories will come together, with world-bending results... "For all of Stross's genuine ability to spook and dismay, The Laundry Files are some of the most tremendously humane books I've ever read." ―Tamsyn Muir, author of Gideon the Ninth and Harrow the Ninth

There are histories beneath history. Tim Powers, one of the most brilliant and audacious talents in contemporary fiction, casts an eerie light on the terrible events that made the twentieth century and reveals what the Cold War was really about. DeclareAfter a ten-year hiatus, British academic Andrew Hale is abruptly called back into the Great Game by a terse, cryptic telephone message. Born to "the trade" and recruited at the age of seven by a most secret Secret Service, Hale, in 1963, is forced to confront again the nightmare that has haunted his adult life: a lethal unfinished operation code-named Declare. Two decades earlier, as a young double agent infiltrating the Soviet spy network in Nazi-occupied Paris, Hale first encountered the incomprehensible rhythms of an invisible world. And from that moment on nothing was ever safe and knowable again. There also, his life became eternally linked with two others' lives that would recurrently intersect his at its most dangerous junctures: his "comrade operative," the fiery and beautiful Communist agent Elena Teresa Ceniza-Bendiga, the object of Hale's undying love, and Kim Philby, the mysterious traitor to the British cause...and perhaps to all humanity. Together they form an unlikely trimuvirate with one shared destiny: Declare. But the Great Game is greater and far more terrible than Andrew Hale ever imagined. There is another, larger war raging unseen all around him, a cataclysmic secret conflict masked by a "Cold War" of national ideologies. And it is drawing Hale, Elena, and Philby inexorably toward world-shattering consequences on a Biblical mountain in the Middle East...and to a hideous feast of broken minds, destroyed lives, and devoured souls. The remarkable imagination of Tim Powers has wedded John le Carré with Clive Barker to create something unlike anything previously contained between book covers. A sweeping epic adventure, a love story, a revelation, a nightmare, it is our past and our world as something other...Declare!